2/17/2024 0 Comments Quien es sor juana ines de la cruzCatherine of Alexandria as a bold person who stood up for her Christian faith while facing the possibility of torture and execution, and through it she converted the learned men of Egypt, but was eventually martyred. Sor Juana Inés de la Cruz’s Villancico VI is most definitely a religious poem, and one that celebrates feminism in the face of a dominating patriarchy. ![]() Gilbert created his own rendition of a villancico using the basis of these structural elements, though adding a contrasting melodic and textural section in the middle. Another distinct feature is that in the musical setting of the coplas, part of the melody from the estribillo is used. What sets the villancico apart from other literary and song forms is that it begins with the refrain, or estribillo, which then alternates with each verse or copla. Later, villancicos became sacred songs in Latin America and Spain that turned into modern day Spanish carols. They were melodically simple and direct songs with rhythmic vitality. In "¡Víctor, Catarina!" (2019), Gilbert Galindo sets to music Villancico VI by Sor Juana Inés de la Cruz, a 17th century Hieronymite nun of New Spain (Mexico), unabashedly combining Spanish Renaissance flare with Mexican-Baroque and contemporary classical grittiness in a pseudo-Mariachi fashion.Ī villancico is a form of Spanish song with origins in the Renaissance which developed from earlier dance forms. México la recuerda con mucho cariño y alegría, aunque le pesa en el alma que murió demasiado joven (a su criterio).*These are the excerpts that were set in Gilbert Galindo’s ¡Víctor, Catarina! (2019) for mezzo soprano, flute, and strings ![]() Sor Juana Inés de la Cruz murió el 17 de abril de 1695 por tifus durante una pandemia. Sin embargo la acompaño en sus últimos días. Nueva España se enamoro de la monja debido a su cercanía con su virreina pudo pasar mucho tiempo con Sor Juana, sin embargo tampoco cedió a sus sentimientos. Se decía que cuando s e consagro, los virreyes le ofrecieron protección, en especial la condesa de Paredes, María Luisa Manrique de Lara con quien se volvería MUY cercana.ĥ0 poemas fueron dedicados a la virreina, expresando su amor pero jamás consumió ese amor, no le importaba si era correspondida o no. (Juana Inés de Asbaje y Ramírez San Miguel de Nepantla, actual México, 1651 - Ciudad de México, id., 1695) Escritora mexicana, la mayor figura de las letras hispanoamericanas del siglo XVII. Mexico remembers her with much affection and joy, although it weighs on her soul that she died too young (in her opinion). Sor Juana Inés de la Cruz died on Apfrom typhus during a pandemic. However, he accompanied her in her last days. New Spain fell in love with the nun because of her closeness to her vicereine, she was able to spend a lot of time with Sor Juana, but she did not give in to her feelings either. It was said that when she was consecrated, the viceroys offered her protection, especially the Countess of Paredes, María Luisa Manrique de Lara, with whom she would become VERY close.įifty poems were dedicated to the viceroy, expressing her love but she never consummated that love, not caring if it was reciprocated or not. ![]() (Juana Inés de Asbaje y Ramírez San Miguel de Nepantla, present-day Mexico, 1651 - Mexico City, id., 1695) Mexican writer, the greatest figure of Spanish-American letters of the 17th century.
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